LATEST ADDITIONS

Ken Micallef  |  Apr 29, 2024  |  0 comments
DeVore Fidelity moved showgoers with high-fidelity systems in two spaces. John DeVore held court in his own room, where an EMT turntable and 78 cart spun a symphony of clean 78s. In Jeff Fox's Notable Audio room, a potential snag turned to genius, when a countertop that wouldn't budge required ditching stuffy seating and letting the equipment sprawl across the counter and floor, transforming the space into an inviting lounge.
Ken Micallef  |  Apr 29, 2024  |  1 comments
I walked into the pitch-black room operated by the affable Klaus Bunge, manufacturer of the popular Odyssey amplifier. I stumbled into a seat.
Ken Micallef  |  Apr 29, 2024  |  1 comments
Steve Jain’s Fidelity Imports turned heads at AXPONA with a kaleidoscope of digital and analog sound, a few of which were home-theater focused. They filled no fewer than six rooms, each showcasing an array of products, new and less new, from all corners of the world.
Ken Micallef  |  Apr 29, 2024  |  0 comments
Audiophile dream team Mike Pranka (Dynavector, Well Tempered Lab, JM Reynaud) and Charlie Schnyder (Stereo Haven) transformed room 624 into a sonic oasis. This well-tuned system made up of meticulously curated equipment delivered precision and nuance.
Ken Micallef  |  Apr 27, 2024  |  0 comments
For sleeping, past convention nights have sometimes been a nightmare, stuck next to the rooms of exhibitors who think "lights out" means "crank it up to 11!" Neighbor TriangleArt was a exception. They silenced their space by 7 pm, and their music was so good, it literally floated through the walls, beckoning me in.
Brian Damkroger  |  Apr 26, 2024  |  1 comments
I jumped at the chance to review T+A's $47,900/pair Solitaire S 530 loudspeaker for a few reasons. First, because T+A is a well-established company with an approach I like and respect: They make hi-fi equipment of the highest quality but with prices that, though substantial, are in line with their technology and execution. Their stuff is very handsome with impressive industrial design, but T+A doesn't do audio jewelry. What's more, though T+A is aggressive in R&D—their "Company" webpage says, "Actually, we're scientists ..."—but they are selective in the use of new technology. The third reason I was interested in reviewing a product from T+A is that their prices and technical level place them in a market segment I know well.

What I didn't know until recently is that T+A makes loudspeakers, and they're quite different from the loudspeakers other companies make. I only learned this when I started hearing about the S 530 and its larger sibling, the S 540, from friends—friends whose ears I trust.

Ken Micallef  |  Apr 26, 2024  |  3 comments
Colin King and Doug K of Gestalt Audio Design of Nashville, Tennessee, presented one of the more unusual looking rigs at AXPONA, complete with a fantastical copper-colored turntable with a steampunk clamp, a pair of bug-eyed loudspeakers each with a field-coil midrange driver, and a master controller that looked like it had been rescued or stolen from a Russian submarine circa 1957.
Ken Micallef  |  Apr 26, 2024  |  0 comments
The Caladan loudspeakers from Clayton Shaw Acoustics ($3000/pair) were a sleeper hit at the Capital AudioFest, so I made a beeline to the fifth floor, slow-motion elevators not withstanding.
Jason Victor Serinus  |  Apr 26, 2024  |  0 comments
When “What a beautiful midrange!” is the first phrase that floats through your brain as you settle down to listen to a hitherto unknown system, you can be pretty certain you’re in for a rewarding time.
Jason Victor Serinus  |  Apr 26, 2024  |  0 comments
It’s become a virtual axiom of show reports: With Jeremy Bryan doing set-up, MBL invariably sounds excellent. In the sweet spot—MBL speakers definitely have one, and it’s not very wide—sound was ideally focused, warm, and pleasing.

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